When the long‑awaited sequel to the 2006 cult classic The Devil Wears Prada hit theaters, fans were eager to see whether the real‑world fashion icon Anna Wintour would make a cameo. While the film’s official credits do not list her, a behind‑the‑scenes moment captured by director David Frankel reveals that the 76‑year‑old editor‑in‑chief did indeed leave her mark on the production.
A Behind‑the‑Scenes Glimpse of Anna Wintour in ‘The Devil Wears Prada 2’
During a visit to the Milan set, Wintour was spotted by the film’s creative team, including screenwriter Aline Brosh McKenna and director David Frankel. The pair later discussed the experience on Amy Odell’s “Back Row” podcast. Frankel, who was filming a “gag take” at the time, managed to capture Wintour on camera, creating a short, unpolished clip that will appear as a bonus feature on the film’s streaming release.
Unlike a polished cameo, the footage is intentionally rough. Wintour arrived early, and the camera was slightly out of focus when she entered the frame. Frankel admitted that he didn’t want to risk a second take, saying, “I can’t ask Anna to do take two.” The decision to keep the clip as a gag rather than a full performance was driven by a desire to avoid a meta moment that might feel forced in the narrative.
The Unofficial Cameo and Its Production Details
Although Wintour’s appearance is not part of the storyline, her presence on set was unmistakable. She watched the scenes unfold from a monitor and offered her trademark editorial eye. One of the most memorable moments involved a critique of the floral arrangements in the fictional Dior offices where Emily Blunt’s character, Andy Sachs, works.
Wintour pointed out that the flowers were too numerous and too pink, arguing that Dior’s aesthetic would never feature such a palette. According to Brosh McKenna, Wintour “came running out and I was like, ‘Dude, kill the flowers.’” The production team promptly replaced the pink blooms with a single white vase, a change that reflected Wintour’s insistence on precision and brand consistency.
Beyond the floral debate, Wintour’s influence extended to subtle details such as lighting, set design, and the overall mood of the scenes. Her presence served as a reminder of the high standards that the fashion world demands, even in a fictional setting.
Wintour’s Signature Style on Set
- Immediate feedback on set design and props
- Strict adherence to brand aesthetics, especially color palettes
- Encouragement of a polished, professional atmosphere
- Unapologetic critique that ultimately improved the final product
These elements showcase why Wintour is often described as the “devil” of the fashion industry—a moniker that has now been embraced in the film’s marketing. The film’s promotional materials even feature a playful nod to her reputation, with a stylized “devil” icon appearing alongside the title.
From the Oscars to the Met Gala: Wintour’s Continued Influence
Wintour’s involvement with the sequel extends beyond the set. In March 2026, she and Anne Hathaway shared a laugh at the Dolby Theatre during the Oscars, where they presented the award for Best Costume Design. The award’s nod to the film further cemented the connection between the real‑world fashion elite and the cinematic portrayal of the industry.
Shortly after the Oscars, Wintour posed with Meryl Streep—who portrays the film’s thinly veiled counterpart, Miranda Priestly—for the cover of Vogue. The photo shoot highlighted the synergy between the film’s fictional narrative and the actual power players of fashion.
The film’s premiere on Monday in New York City and its theatrical release on May 1, just three days before Wintour hosts the Met Gala, created a perfect alignment of events. The timing allowed fans to experience
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