When HBO’s hit teen drama Euphoria wrapped up its second season in January 2022, fans were left with a sense of anticipation for the next chapter. Now, four years later, the show’s third season is on the horizon, but a recent announcement has sparked a wave of surprise and disappointment among its audience: the British singer‑songwriter and producer Labrinth will not be contributing any music to the upcoming season.
Labrinth’s Exit From Euphoria’s Soundtrack
On Thursday, April 9, Rolling Stone confirmed that Labrinth will no longer be part of the musical lineup for Euphoria Season 3. The report clarified that Hans Zimmer will serve as the sole composer for the new season, a shift from earlier rumors that the two would collaborate on the show’s soundtrack.
Last month, Labrinth posted a cryptic message on Instagram that read, “I’m done with this industry.” He followed it up with a scathing remark about Columbia Records and Euphoria, stating, “FColumbia. Double F Euphoria. I’m out.” The post was deleted shortly after, but the damage was done. Fans and industry insiders alike began speculating whether Labrinth’s departure was a personal decision, a creative disagreement, or a fallout with the network.
In the past two seasons, Labrinth’s music has been a defining element of the show’s atmosphere. From the haunting opening track “The End” to the emotionally charged “The End of the World,” his compositions helped set the tone for the series’ exploration of identity, trauma, and resilience. His absence in Season 3 is therefore a significant change that will inevitably alter the sonic landscape of the show.
Why Hans Zimmer Takes the Helm
With Labrinth stepping away, Hans Zimmer has been brought on board as the sole composer for Season 3. Zimmer, a legendary figure in film and television scoring, has previously worked on projects such as The Lion King, Inception, and Interstellar. His involvement signals a potential shift toward a more cinematic and orchestral sound for the series.
Zimmer’s approach is known for its sweeping motifs and emotional depth. While Labrinth’s work leaned heavily into contemporary pop and electronic textures, Zimmer’s style is rooted in orchestral arrangements and thematic leitmotifs. This change could provide a fresh auditory experience for viewers, but it also raises questions about how the new score will complement the show’s raw, intimate storytelling.
According to the Rolling Stone article, the decision to have Zimmer as the sole composer was made early in the production process. The producers stated that they wanted to explore a different musical direction that would align more closely with the evolving narrative arc of the characters. While this move was praised by some for its ambition, others feared it might distance the series from the musical identity that fans had come to love.
Fan Reactions and Industry Speculation
The news of Labrinth’s departure sparked a flurry of reactions across social media platforms. Twitter threads were filled with a mix of disappointment,
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