When the world of espionage and glamour collided in the late 1970s, Hollywood was buzzing with rumors that a new Bond girl would soon be on the screen. The role of Dr. Holly Goodhead, a brilliant scientist and the love interest of Roger Moore’s James Bond in Moonraker, was coveted by many actresses. Yet, the part ultimately went to Lois Chiles. The actress who turned it down? Jaclyn Smith, the charismatic star of Charlie’s Angels. In a candid interview at PaleyFest’s 50th‑anniversary reunion, Smith revealed the personal and professional reasons behind her decision and how that choice set the stage for a remarkable career that spanned television, film, and beyond.
A Bond Girl That Never Was
Jaclyn Smith, born in Houston, Texas, was already a household name by the time the Bond franchise approached her with the offer. She was under contract with Aaron Spelling, the prolific television producer who had brought her to fame with the iconic series Charlie’s Angels. In the interview, Smith said, “I had a contract for ‘Charlie’s Angels’ and, you know, Houston upbringing, you follow your contract.” The actress emphasized that honoring her existing commitments was paramount. She added that her Texas roots played a role in her decision: “I think it wasn’t meant to be. I think things happen for a reason, I really do, so I have no complaints.”
While the role of Dr. Holly Goodhead would later become a memorable part of the Bond canon, Smith’s choice to stay loyal to her contract and her personal values meant that the part went to Lois Chiles, who had previously starred in The Way We Were. The decision, though seemingly small, highlighted the often‑unseen negotiations and loyalty that shape an actor’s career trajectory.
Other Hollywood Opportunities
Smith’s career was never limited to a single genre or medium. She was considered for a variety of projects that showcased her versatility, even if they never materialized. One such opportunity was the cult‑classic film Beetlejuice. Smith admitted she didn’t fully grasp the quirky premise of the movie, which ultimately led to her stepping back. She later reflected, “I know, sad. My husband regrets that,” when the audience reacted to her comment. The film’s female leads ended up being Catherine O’Hara, Geena Davis, and a young Winona Ryder.
Another intriguing project that never came to fruition involved a romantic drama titled 9½ Weeks. Smith and John Travolta were initially slated to star opposite each other in the erotic romance. However, Smith felt she wasn’t the right fit for the role, and the project eventually went to Kim Basinger and Mickey Rourke. These near‑misses illustrate how timing, fit, and personal choice can alter the course of a career.
Beyond these high‑profile projects, Smith’s filmography is rich and varied. She appeared in the critically acclaimed TV movie Jacqueline Bouvier Kennedy, the 1988 miniseries The Bourne Identity, and had recurring roles on popular shows such as Becker, The District, CSI: Crime Scene Investigation, and All American. Her ability to transition between television and film has made her a respected figure in the industry.
Legacy of a Texas Star
Smith’s journey began with a two‑part
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